Grass Grows         In his book, Leaves of Grass, Walt Whitman describes his corporation with nature and the environment that surrounds him. He overly emphasises how he can empathize with everyone by claiming that he is donation of everyone and everyone is a part of him. Whitman overly presents the idea of everlastingity and how it is attained. Whitman describes fate as something of a supernatural essence, as products of death, and as leaves, or pages, of a book, to emphasize the sense that cop pay offs immortality.         maven of Whitmans most recognisable talents is the ability to establish a connection in the midst of something scurvy and something vast. Whitman does this several times with bewray. ¦I guess [ stag] is the handkerchief of the Lord,/A scented gift and remembrancer intention altogethery dropped,/ Bearing the owners name some commission in the corners, that we may beguile/ and remark, and say Whose (29). Whitman take s the reader from a blade of make to god, the creator. God created the country and when He did, he left proof that He created the Earth by leave his signature; mass. Whitman also describes the grass over as children. ¦[T]he grass is itself a child¦.the produced babe of the/ botany (29). Mother Earth chip ins grass, or, in this case, children. Once once more, Whitman makes the readers headland travel from a blade of grass, to the lawsuit of the Earth. The greatest of all transitions from small to vast is the connection Whitman establishes between the grass and stars. I believe a leaf of grass is no slight than the journeywork of the stars (55). Within a line, Whitman succeeds in woful from a small, rather unnoticeable object, to a grand one. Whitman brings grass to the same level as the Earth, the stars, and even God, all of which represent some degree of immortality, thence resolving that grass represents immortality.         As wellhead as employ a magnifying technique, Whitman als! o gives grass a sense of immortality by using morbid descriptions that also deal with the heart pedal that includes death. For example, when people die, their corpses provide nutrients to the alter , which can then yield grass. Another example of his subroutine of a cycle is when he talks about the counterpunch of sustenance after death. The smallest charge shows there is really no death,/And if there ever was it conduct forward to life, and does not forbear at the/end to go it,/And ceased the moment life disappe ared (30). Again, Whitman emphasizes the immortality of grass, as it springs from death in sprouts and modern forms of life in a never-ending cycle.         As well as describing grass to emphasize an immortal cycle of life and death, Whitman also describes grass as a collection of mans thoughts.
These are the thoughts of all men in all ages and lands¦[t]his is the grass that grows wheresoever the land is and water is¦ (41). The leaves of grass are the leaves of books which carry mans illustration and allow man to brook forever among the pages. Whitman also takes it to a personal level. I entrust myself to the dirt to grow from the grass I love,/If you want me again look for me under your bootsoles (86). Again, he emphasizes the life and death cycle. He becomes the corpse in the Earth that provides the nourishment for the grass. He becomes immortal because he becomes part of the grass; part of nature. He lives on in the leaves of his book. By way of the leaves of grass, Whitman becomes immortal.         Grass, the product of death, the leaves of a book, gives Whitman a way to ensure his immortality. By wri ting on pages, he leaves his voice to live on forever! in his writing. His becomes imprisoned by the Earth from consequently it originated (according to the Bible; ashes to ashes, carcass to dustÂ) to yield fresh life in the form of grass. Walt Whitman succeeded, as he is immortal in Leaves of Grass.                 If you want to get a full essay, order it on our website:
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